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A&D
383 20th-century art syllabus
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Elizabeth K. Mix
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Office:VPAB 3119
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Office Phone: 496-2958
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Office Hours: Tuesdays & Thursdays 1:30-2:30
p.m. & by appointment
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texts (available
at VON's or purchase together at AMAZON at a reduced price):
1. Steve Edwards & Paul Wood, eds., Art of the Avant-Gardes.
(Yale, 2004).
2. Paul Wood, ed., Varieties of Modernism. (Yale, 2004).
Both are available in paperback and you need them both, as each
only covers half of the material addressed in this course. Completion
of assignments and passing of examinations *require* that you have
these textbooks.
reserve reading list:
Additional texts will be placed on reserve at the Hicks undergraduate
bunker for your use. Here are some highlights:
- Arnason, History of Modern Art 709.04 Ar61h 1998
- Battcock, ed., Minimal Art: A Critical Anthology 709.04
B321m
- Birringer, Media and Performance 700.904 B539m 1998
- Bocola, The Art of Modernism 709.04 B632kE 1999
- Causey, Sculpture Since 1945 735.235 C312s 1998
- Caws, Manifesto: a century of isms 909.82 M314 2001
- Chipp, Theories of Modern Art: A Source Book by Artists
and Critics 709.034 C444t
- Craven, American Art: History and Culture 709.73 C855a
1994b
- Crimp, On the Museum's Ruins 709.045 C868o 1993
- Godfrey, Conceptual Art 709.04075 G543c 1998
- Hills, Modern Art in the USA 700.9730904 H559m 2001
- Kolocotroni, ed., Modernism: An Anthology of Sources and
Documents 801.93 M72 1998
- Madoff, ed., Pop Art; A Critical History 709.7309045
P81 1997
- Rosenthal, et. al, Sensation: Young British Artists from
the Saatchi Collection 709.41074 Sa12s 1998
- Sandler, Art of the Postmodern Era: From the Late 1960s to
the Early 1990s 709.045 Sa56a 1996
- Sandler, New York School: the painters and sculptors of the
fifties 709.7471 Sa56n
- Sandler, Triumph of American painting: a history of abstract
expressionism 759.13 Sa56t
- Stiles/Selz eds., Theories and Documents of Contemporary
Art: A Sourcebook of Artists' Writings
709.04 St53t 1996
- Vergine, Art on the Cutting Edge. A Guide to Contemporary
Movements 709.04 V587a 2001
- Wallis, ed., Art after Modernism 700.904 Ar75
objectives &
disclaimers:
This course provides an in-depth study of the painting and sculpture
of Europe and America from the 1880s to roughly 1970. It is expressly
designed to explore the relationship between the "academy" and avant-garde
movements, as well as the dialogue between art history, art criticism
and art theory.
This is an equal opportunity classroom in the presentation of ideas
and issues raised by artists. Artists create works that become either
personal or societal documents of a certain moment in their lives.
Topics including censorship, pornography, homosexuality, AIDS and
feminism may make you feel uncomfortable because of their unfamiliarity.
Much like the goal of a good college education, the work of many
contemporary artists challenges us and is designed to, not ask us
to change or give up what we believe, but to examine our beliefs
in a larger context.
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***
The content and images of some works shown
in this course may be disturbing to some students enrolled
in this class. You will be provided with the opportunity
to make me aware of your particular sensitivities on the
first day of class. While the nature of this course does
not allow me to guarantee that I will never show something
that shocks and/or offends you, I will make every attempt
to alert you in advance of material you have identified
and provide choices on projects and examinations in order
that you may "self-censor" as you see fit.
***
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Your success in this course will be directly proportional to your
"ownership" of the material. I am here to guide you in your study
of this material and in your development of abilities including
written and oral communication. You are ultimately responsible for
your education. When you come to my office to discuss a grade on
a test or assignment, bring the notes that you've been taking in
class and on the reading assignments. This will help me diagnose
potential problems more quickly and ultimately help me to help you
to achieve in this course.
course requirements:
- Exams: 100 pts. (two essay exams, 50 points each)
- Assignment Journal: 130 pts. (will be collected periodically);
10 points for "practice" journal entry; 60 points for
6 midterm journal entries; 60 points for 6 final journal entries.
- Course Project: 130 pts. (will be completed in a number of stages;
the final portion is due no later than December 8)
**There will also be an extra-credit assignment worth 10 points.**
grading scale:
- A 324 pts.
- B 288 pts.
- C 252 pts.
- D 216 pts.
- F < 216 pts.
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