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A&D 383 20th-century art syllabus


***Schedule with assignments & slide lists***

Review page at http://www.sla.purdue.edu/courses/ad/arthistory/ (click on 20th-century Art)

Elizabeth K. Mix
Office:VPAB 3119
Office Phone: 496-2958
Office Hours: Tuesdays & Thursdays 1:30-2:30 p.m. & by appointment

 

texts (available at VON's or purchase together at AMAZON at a reduced price):

1. Steve Edwards & Paul Wood, eds., Art of the Avant-Gardes. (Yale, 2004).
2. Paul Wood, ed., Varieties of Modernism. (Yale, 2004).

Both are available in paperback and you need them both, as each only covers half of the material addressed in this course. Completion of assignments and passing of examinations *require* that you have these textbooks.

reserve reading list:

Additional texts will be placed on reserve at the Hicks undergraduate bunker for your use. Here are some highlights:

  • Arnason, History of Modern Art 709.04 Ar61h 1998
  • Battcock, ed., Minimal Art: A Critical Anthology 709.04 B321m
  • Birringer, Media and Performance 700.904 B539m 1998
  • Bocola, The Art of Modernism 709.04 B632kE 1999
  • Causey, Sculpture Since 1945 735.235 C312s 1998
  • Caws, Manifesto: a century of isms 909.82 M314 2001
  • Chipp, Theories of Modern Art: A Source Book by Artists and Critics 709.034 C444t
  • Craven, American Art: History and Culture 709.73 C855a 1994b
  • Crimp, On the Museum's Ruins 709.045 C868o 1993
  • Godfrey, Conceptual Art 709.04075 G543c 1998
  • Hills, Modern Art in the USA 700.9730904 H559m 2001
  • Kolocotroni, ed., Modernism: An Anthology of Sources and Documents 801.93 M72 1998
  • Madoff, ed., Pop Art; A Critical History 709.7309045 P81 1997
  • Rosenthal, et. al, Sensation: Young British Artists from the Saatchi Collection 709.41074 Sa12s 1998
  • Sandler, Art of the Postmodern Era: From the Late 1960s to the Early 1990s 709.045 Sa56a 1996
  • Sandler, New York School: the painters and sculptors of the fifties 709.7471 Sa56n
  • Sandler, Triumph of American painting: a history of abstract expressionism 759.13 Sa56t
  • Stiles/Selz eds., Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings
    709.04 St53t 1996
  • Vergine, Art on the Cutting Edge. A Guide to Contemporary Movements 709.04 V587a 2001
  • Wallis, ed., Art after Modernism 700.904 Ar75

objectives & disclaimers:

This course provides an in-depth study of the painting and sculpture of Europe and America from the 1880s to roughly 1970. It is expressly designed to explore the relationship between the "academy" and avant-garde movements, as well as the dialogue between art history, art criticism and art theory.

This is an equal opportunity classroom in the presentation of ideas and issues raised by artists. Artists create works that become either personal or societal documents of a certain moment in their lives. Topics including censorship, pornography, homosexuality, AIDS and feminism may make you feel uncomfortable because of their unfamiliarity. Much like the goal of a good college education, the work of many contemporary artists challenges us and is designed to, not ask us to change or give up what we believe, but to examine our beliefs in a larger context.

***

The content and images of some works shown in this course may be disturbing to some students enrolled in this class. You will be provided with the opportunity to make me aware of your particular sensitivities on the first day of class. While the nature of this course does not allow me to guarantee that I will never show something that shocks and/or offends you, I will make every attempt to alert you in advance of material you have identified and provide choices on projects and examinations in order that you may "self-censor" as you see fit.

***

 

Your success in this course will be directly proportional to your "ownership" of the material. I am here to guide you in your study of this material and in your development of abilities including written and oral communication. You are ultimately responsible for your education. When you come to my office to discuss a grade on a test or assignment, bring the notes that you've been taking in class and on the reading assignments. This will help me diagnose potential problems more quickly and ultimately help me to help you to achieve in this course.

course requirements:

  • Exams: 100 pts. (two essay exams, 50 points each)
  • Assignment Journal: 130 pts. (will be collected periodically); 10 points for "practice" journal entry; 60 points for 6 midterm journal entries; 60 points for 6 final journal entries.
  • Course Project: 130 pts. (will be completed in a number of stages; the final portion is due no later than December 8)

**There will also be an extra-credit assignment worth 10 points.**

grading scale:

  • A 324 pts.
  • B 288 pts.
  • C 252 pts.
  • D 216 pts.
  • F < 216 pts.

 

 
 
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