INSTALLATION ART
Marcel Duchamp
- Fountain, 1917
- Bottlerack, 1917
- Bicyle Wheel and Stool (after 1913 lost original)
- Vue Photographique sur le nu depuis le trous du voyeur, 1946-66.
Edward Kienholz
- The Illegal Operation, variable materials & objects, 1962
- The State Hospital, 1964-66
- The Wait, 1964-65
- Back Seat Dodge '38, 1964 cf. Salvador Dali, Rainy Taxi, 1938
- Portable War Memorial, 1968
- The Hoerengracht, Oct. 30-Jan 20, 1993. "Whore's Canal," mixed
media, assemblages and tableaux.
Bruce Nauman
- Green Light Corridor, 1970-71
Mowry Baden
Judy Chicago
- The Dinner Party, 1974-79, mixed media installation, 48' x 48' x 48'
- St. Bridget Plate
- Sappho Place Setting
- Kali Place Setting (cf. Kotah, The Goddess Kali, c. 1775)
- Artemisia Gentileschi Place Setting (cf. Gentileschi, Susannah and the
Elders, 1616)
- Georgia O'Keeffe place setting
- cf. O'Keeffe, Clam Shell, ca. 1925)
- cf. Stieglitz Photographs of O'Keeffe
- Primordial Goddess
- Mary Wollstonecraft
- Emily Dickenson
- Hapshepsut
- Theodora
- Snake Goddess
Judy Pfaff
- Kabuki, 1980
- Dragon, 1981
- 3D, 1983
- Either War, 1983
- Ziggurat, 1981
- Flusso e Riflusso, 1992
Ilya Kabakov
- The Man who Flew into Space from his Apartment
To accompany The Man Who Flew Into Space From His Apartment (from the series
"Ten Characters") Kabakov wrote:
The lonely inhabitant of the room as becomes clear from the story his neighbor
tells, was obsessed by a dream of a lonel flight into space, and in all probability
he realized this dream of his, his "grand project. " The entire cosmos, according
to the thoughts of the inhabitant of this room, was permeated by streams of
energy leading upward somewhere. His project was conceived in an effort to hook
up with these streams and fly away with them. A catapult, hungfrom the corners
of the room, would give this new "astronaut," who was sealed in a
plastic sack, his initial velocity and further up, at a height of 40-50 meters,
he would land in a stream of energy through which the Earth was passing at that
moment as it moved along its orbit. The astronaut had to pass through the ceiling
and attic of the house with his vault. With this in mind, he installed powder
charges and at the moment of his take off from the catapult, the ceiling and
roof would be wiped out by an explosion, and he would be carried away into the
wide-open space. Everything was in place late at night, when all the other inhabitants
of the communal apartment are sound asleep. One can imagine their horror, fright,
and bewilderment. The local police are summoned, an investigation begins, and
the tenants search everywhereÑin the yard, on the streetÑbut he is nowhere to
be found. ln all probability, the project, the general nature of which was known
by the neighbor who told the investigator about it, was successfillly realized.
- The Man who threw nothing away, 1981-1988
- The Toilet, Documenta IX, Kassel, Germany, 1992
Jonathan Borofsky
- Installation 1980 (Paula Cooper Gallery, NY)
- Installation at 2,707,801, 1980 (Paula Cooper Gallery, NY)
- Five Hammering Men, 1982
- Chattering Man with Two Stretcher Frames at 2,845,313, 1983
- 2,845,317 Green Tilted El Salvador Painting with Chattering Man, 1983
- I Dreamed a Dog Was Walking a Tightrope at 2,715,346 (mm video installation),
1987
- IMA WORK: Man with a Briefcase at no. 3274704, 1991
Chris Burden
- The Reason for the Neutron Bomb, 50,000 nickels and matchsticks, signage,
1979
Vito Acconci
- IMA WORK: Round Trip (A Space to Fall Back On), stools, boxes & audiotape,
1975, rebuilt 1987
- Moveable Floor, roller skates, cable, headphones & audiotape, 1979 &
1980 (installed at two difft. sites)
- Instant House, American Flags, wood, springs, ropes and pulleys, 1980
- Sub-Urb, Sculpture (usable arch. unit), Astroturf, painted wood and steel
track, Artpark Lewiston, NY, 1983
- Bad Dream House, 1984
- Bad Dream House #2, 1988
- Convertible Clam Shelter, 1990
- Personal Island, 1992
Kara Walker
- The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven,
& detail, cut paper, 1995
- Untitled, cut paper, 1996
- Slavery! Slavery!, cut paper and adhesive on wall, 1997
- Darkytown Rebellion, projection, cut paper and adhesive, 2001
- IMA WORK: They Waz Nice White Folks While they Lasted (sez one gal to another),
cut paper & projection installation. Various dimensions, 2001
Anish Kapoor
- The Healing of St. Thomas, 1989 (cf. Gober, Drains, 1990)
- Untitled. Monolithic Objects, installations that physically intervene and
transform architectural space, 1990
- Endless Column, 1992
- The Earth, 1992
- When I am Pregnant, 1992
Ann Hamilton
- Still Life, home Show, 1988
- The Capacity of Absorption, 1988
- Privation and excesses, 1989 (display of 750,000 pennies, laid by hand)
- Offerings (three-story installation in gutted row house), 1992
- Malediction, 1992
- "a round" Power Plant, Toronto, 1993
- Mattering, 1997
- Mantle, performance with shortwave radio, table and 60,000 flowers, Miami
Art Museum, 1996
- Bounden, installation Musee d'Art Contemporain, Lyon, 1998
GICK
BENDITO