REALISM TO POSTMODERNISM SLIDE LIST

Slide list/Lecture outline Key for slides: L = Lucie-Smith, Visual Arts of the 20th Century H = Hughes, Shock of the New A = Arnason, History of Modern Art, 4th edition F = Fineberg, Art Since 1940

Material will be covered in the listed order. Depending on how crunched for time we are, we may skip over some of these slides. I recommend that you number the slide list each day and use it to organize your notes as we go along. A review carousel (found in the art office) will contain a representative selection of slides to cover major issues and ideas, do not assume that only those slides found in the carousel will be on the test. Tests for this course will also include "unknowns," so the best way to prepare is to look at slides as "representative" of a style and/or theory. The tests in this course are not cumulative. Slides not found in one of the books or in the review carousel will not be on the exams, but may be referred to for comparison purposes.

Roadmap to Modernism

• Leonardo da Vinci, The Last Supper, c. 1495-1498. (artist as genius)
• Michelangelo, David, 1501-1504.

FRENCH REALISM I - "RADICAL REALISM"

• Courbet, After Dinner at Ornans, 1849.
• Courbet, A Burial at Ornans, 1849. (A, 39) Courbet, Stonebreakers, 1850.
• Courbet, The Studio: a Seven Year Phase of My Artistic Life (first one-man show) Universelle Exposition of 1855, (A, 1)
• Courbet, The Young Ladies on the Banks of the Seine, 1856-57.
• Courbet, Fox in the Snow, 1860
• Courbet, Sleepers, 1866.
• Courbet, Origin of the World, 1866.

FRENCH REALISM II - "ROMANTIC REALISM"

• Daumier, Rue Trasnonain, April 15, 1834, 1834 (A, 38)
• Daumier, 1st Class Carriage, ca. 1862
• Daumier, 2nd Class Carriage, ca. 1862
• Daumier, The Third Class Carriage, ca. 1862 (A, 37)
• Millet, The Sower, 1850
• Millet, Man with a Hoe, 1850
• Millet, The Gleaners, 1857 (A, 18)

FRENCH REALISM III - "OFFICIAL REALISM"

• Pils, The Death of a Sister of Charity, 1850.
• Antigna, The Fire, 1850-51
• Antigna, The Forced Halt, 1855
• Tassaert, The Suicide, 1852

REALISM IN OTHER COUNTRIES - AMERICA

• Eakins, The Gross Clinic, 1875 (A, cp 18) cp = color plate

REALISM IN OTHER COUNTRIES - GERMANY

Menzel

• My Right Hand Drawn with My Left, 1848
• Artist's Sister with a Candle, 1847
• Balcony Room, 1845
• Kinderalbum, 1861-1883 (Chickenyard; Goat & Wooden Horse; Chinese Thoughts;
• Father & Son at Door)
• Afternoon in the Tuileries, 1867
• Iron Rolling Mill, 1872-75

REALISM IN OTHER COUNTRIES - ENGLAND - "MYSTICAL REALISM"

• Brown
• Work, 1852-65 (A, 42)
• The Pretty Baa-Lambs, 1851, 1852-53, 1859
• Waiting--an English Fireside,1854-55
• Coat of Many Colors, 1866
• Cordelia's Portion, 1866-72
• Romeo and Juliet, 1870

MYSTICAL REALISM IN ENGLAND - The PRB

Millais

• Isabella, 1848-49
• Return of the Dove to the Ark,
• Christ in the House of his Parents, 1850.
• Ophelia, 1851.
• Blind Girl, 1854-56
• Peace Concluded, 1856

Hunt

• Valentine rescuing Sylvia from Proteus, 1850-51
• The Awakening Conscience, 1853.
• Finding of the Savior in the Temple, 1862
• May Morning on Magdalen Tower, 1888-1893
• Portrait of Rossetti, 1882-1883

Rossetti

• Girlhood of the Virgin Mary, 1849
• Ecce Ancilla Domini, (The Annunciation)1850
• Sir Galahad at the Ruined Chapel, 1859
• Sir Lancelot in the QueenÕs Chamber, 1857 (book illustration)
• "St. George and the Dragon" stained glass windows done with Morris & Co.

MANET AND NATURALISM

• The Absinthe Drinker, 1858-59
• The Guitar Player, 1860
• Luncheon on the Grass (Salon des Refuses, 1863) (A, cp 6) (first instance of artists revolting against the Academic/Salon system)
• Dead Toreador, 1864
• Olympia, 1863 (Salon of 1865) (A, 43) cf. Cabanel, Birth of Venus, Salon of 1865
• Dead Christ with Angels, S. 1865
• The Fifer, 1866
• Portrait of Emile Zola, 1868 (A, 44)
• The Balcony, 1868-69.
• Gare St. Lazare, 1872-73
• The Plum, 1878
• Asparagus, 1880
• A Bar at the Folies-Berg�re, ca. 1882.

WHISTLER, American expatriate, lives in England

• The White Girl, 1862. (A, cp 8)
• Symphony in White #2, 1864
• The Artist in his Studio, 1867
• Harmony in Gray and Green-Miss Cicely Alexander, 1872-1874
• Arrangement in Black and Gray-The Artist's Mother, 1872
• Arrangement in Black and Gray-Thomas Carlyle, 1872-73
• Nocturne in Blue and Gold, 1872
• Nocturne in Black and Gold, The Falling Rocket, 1875. (A, 45)
• The Peacock Room (interior design) 1877 with Princess of Porcelain, 1864 (A, cp 39)

IMPRESSIONISM (first series of exhibitions organized by artists outside the Academic/Salon system)

• Monet, Impression, Sunrise, 1872 (names the movement in1874) (A, cp 9)

"FIGURAL IMPRESSIONISTS"

Degas

• Orchestra of the Opera, 1868-69
• The Dance School, 1873. (see A, cp 12)
• Little Dancer, 14 yrs. old, 1881 (A, cp 45)
• Carriage at the Races
• The Glass of Absinthe, 1876. [A p. 37]
• Milliner's Shop, 1879-84
• Women Ironing, 1884-1886
• Women at the CafŽ Terrace, 1886
• The Tub, 1886 (A, 53)

Caillebotte

• A Balcony, ca. 1880.
• Paris, A Rainy Day, 1876
• Pont de L'Europe, 1876
• The Floorscrapers
• Man on a Balcony
• At the Window

Renoir

• La Grenouillere, 1869
• The Loge, 1874.
• The Parisian, 1874
• The Swing, 1876
• Moulin de la Galette, 1876 (A, cp 11)
• Place Clichy, 1880
• Lunchean of the Boating Party, 1881
• The Umbrellas, 1881
• Bathers, 1887
• Judgement of Paris, 1908
• Two Bathers, c. 1915
• The Concert, 1919
• Large Bathers, 1918-19

Morisot

• La Lecture, 1869-70
• Woman & Child on a Balcony, 1872
• The Green Parasol (Mme. Pontillon), 1873
• Eugene Manet on the Isle of Wight, 1875
• Psyche, 1876
• Woman powdering her Face, 1877
• Woman & Child in the Garden at Bougival, 1822 (see A, 54)

Cassatt

• Self-Portrait, 1878.
• Little Girl in the Blue Armchair, 1878 (A, cp 13)
• Lydia in the Loge, 1879
• Five O'Clock Tea, ca. 1880.
• Woman in Black at the Opera, 1880.
• Morning Toilette, 1886
• Woman Bathing, c. 1891
• The Bath, ca. 1892.
• The Boating Party, 1893-94.

"LANDSCAPE IMPRESSIONISTS"

Monet

• Still-Life with Piece of Meat, 1864
• Women in the Garden, 1866-67.
• Boulevard des Capucines, 1876 (A, 49)
• Gare St. Lazare, 1877
• Rouen Cathedral (series), 1894
• Full Sunlight West Facade
• Sunlight The Portal seen Head-On
• Harmony in Brown The Portal & Tower
• Impression of Morning, Harmony in White
• Grainstack (series)
• Waterlilies (series) (see A, 55)
• Bridge over Waterlilies, 1899

Pissarro

• L'Hermitage at Pontoise, 1867
• Peasant Girl with a Stick, 1881
• Apple Picking, 1888 (details only)
• Place de la ThŽatre Fran�aise, Rain, 1890s

AMERICAN/ENGLISH VERSIONS OF IMPRESSIONISM

• Tissot, London Visitors, 1874 (French/English)
• Sargent, Mme. X, 1884 (A, 60)

America

• Eakins,Max Schmitt in a Single Scull, 1871 (A, 65)
• Eakins, The Swimming Hole, ca. 1883-85.
• Homer, Fox Hunt, 1893 (A, cp 17)
• Tanner, The Banjo Lesson, 1893 (A, 66)

PRB influence later in the 19TH century ENGLISH "SALON" PAINTINGS

Rossetti (post PRB)

• Venus Verticordia, 1864-68
• Lady Lilith, 1868
• The Bower Meadow, 1871-2
• Astarte Syriaca, 1877
• Beata Beatrix, 1877 (left unfinished in 1882)
• La Donna Della Finestra, ca. 1881 (left unfinished in 1882)
• The Blessed Damozel

Edward Burne-Jones

• The Beguiling of Merlin, 1874
• The Tiburtine Sibyl, 1875
• Pygmalion & the Image, 1875-78 (I - The Heart Desires; II - The Hand Refrains III - The Godhead Fires; IV - The Soul Attains)
• Wheel of Fortune, 1883
• The Briar Rose (study for "the Garden Court"), 1889

Leighton

• A Roman Lady, 1858-59
• Greek Girls Picking up Pebbles by the Sea, 1871
• Winding the Skein, c. 1878
• The Light of the Harem, 1880
• Invocation, 1889
• Solitude, 1890
• Psyche's Bath, c. 1890
• Perseus & Andromeda, 1891
• Fatidica, 1893-94

Alma-Tadema

• Tepidarium, 1881
• A Coin of Vantage, 1895

THE "INVENTION" OF THE POSTER, CABARET LIFE and ANARCHISM in FRANCE

Chéret

• Les Girard, 1879
• Le Bal du Moulin Rouge, 1889.
• Quinquin Dubonnet, c. 1900

Toulouse-Lautrec

• Moulin Rouge-La Goulue, 1891 (A, cp 37)
• Le Divan Japonais, 1892-93.
• Woman Pulling Up Her Stocking, 1894
• Alone, 1896 La Goulue, 1891
• At the Moulin Rouge, 1892
• Poster for Jane Avril, 1893
• Salon in the Rue des Moulins, 1894
• Troupe de Mlle. Elegantine, 1895-96

Pissarro

• The Plow, ca. 1898

Signac

• Les Demolishers, 1896

Luce

• The Milk Cow, 1894

Vallotton

• The Anarchist, 1892
• The Charge, 1893
• The Manifestation, ca. 1895
• The Assassination, ca. 1895
• The Burial, ca. 1895
• Money, 1898
• Fils de Fer, 1916

THE INTELLECTUAL RESPONSE TO IMPRESSIONISM

PART I: SEURAT

• Bathers at Asnières, 1883-84
• Sunday Afternoon on the Grand Jatte, 1884-86 [A, 69 & cp 19; F p. 27; H p. 117]
• La Chahut, 1889. (A, 70)
• The Models, 1886-8.
• La Parade, 1887-88
• Women Powdering Herself, 1890
• The Circus, 1890-91.

Signac

• Felix Feneon, 1890 (A, cp. 20)

INTELLECTUAL RESPONSE TO IMPRESSIONISM II -- CEZANNE

The Figure

• Portrait of Cezanne's Father, 1866.
• Uncle Dominic in MonkÕs Habit, 1866 (A, 71)
• A Modern Olympia, 1869-70.
• The Murder, 1870
• Boy in a Red Vest, 1888-95 (A cp 23)
• Card Players, 1890-92 (A, 73)
• Boy with Skull, 1896-98 (combo figure/still life)

Landscapes/Bathers

• The Turn in the Road, 1879-82
• Arc Valley, Mt. St. Victoire & Railway Viaduct, 1885
• Bay from L'Estaque, c. 1885 (A, cp 21)
• Mt. St. Victoire seen from the Bibemus Quarry, 1897-1900
• Mont Sainte-Victoire, ca. 1902-06 (A cp 24)
• Mount St. Victoire 1904-1906 [H p. 19]
• Battle of Love, c. 1880 (A, 72)
• Five Bathers, 1885-87
• Large Bathers, ca. 1898
• The Large Bathers, ca.1906. (A cp 25)

Still Life

• Green Apples, ca. 1873
• Still Life with Apples, c. 1875-77
• Still Life with Apples, 1879-82
• Still Life with Cherries and Peaches, 1883-87
• Still Life with Skull, 1895-1900
• Still Life with Plaster Cupid, c. 1895
• Still Life with Apples, 1895-98. (A cp 22)

THE EMOTIONAL RESPONSE TO IMPRESSIONISM PART I: VAN GOGH

• Interior with Weavers, c. 1882
• The Potato Eaters, 1885.
• Pair of Boots, 1886
• Copies after Japanese Prints, ca. 1886-87
• Père Tanguy, 1887-8.
• Promenade at Arles, nov. 1888 (shows influence of Seurat)
• Various copies after Millet & Delacroix
• The Night Café, 1888. (A, cp 31)
• The Artist's Bedroom, 1888.
• Vincent's Chair, Gauguin's Chair, late 1888-early 1889
• Self-Portrait with Bandaged Ear, 1889.
• La Berceuse, 1889.
• Starry Night, 1889 [A, cp 32; H p. 272]
• Misc. Self Portraits (see A, 81)
• Crows in the Wheatfield, 1890.
  

THE EMOTIONAL RESPONSE TO IMPRESSIONISM PART II: GAUGUIN et. al.

Bernard

• Buckwheat Harvesters, 1888 (A, 82)

Gauguin

• Vision after the Sermon,1888 [A cp 29; L p. 29]
• Van Gogh Painting, ca. 1888
• Garden at the Hospital at Arles, 1888
• Green Christ, 1889.
• Yellow Christ, 1889.
• Still Life with Japanese Print, 1889
• Be in Love and You will be Happy, 1889 (sculpture; A, 79)
• The Loss of Virginity, 1890-91
• The Specter Watches Her, 1892.
• The Meal, 1891.
• Where do we come From? What are we? Where are we going? 1897 (A, cp 30)

ÔThe NabisÕ

Serusier

• The Talisman, 1888 [A, cp 33; L p. 36]
• Paul Ranson as a Prophet, 1890

Bonnard

• Woman in Blue with a Child, 1899. [L, p. 37]
• Women in a Garden (4 panels), 1891. [L, pp. 38-39]
• Four Panels for Screens, 1889 (A, 84) (called Promenade of the Nursemaid)
• Nude Against the Light, 1908 (A, cp 35)
• Dining Room on the Garden, 1934-35 (A, cp 36)

Vuillard

• In Bed, 1891
• Self Portrait, 1892 (A, cp 34)
• The Workroom, 1893
• Woman in Blue with Child, c. 1899 (A, 83)

Other Symbolists

Denis

• The Road to Calvary, 1889
• Taches de Soleil sur la Terasse, 1890
• The Muses, 1893

Moreau

• The Apparition, c. 1876 (A 74)

Puvis de Chavannes

• Summer, 1891 (A 75)

Toulouse-Lautrec

• "A Montrouge", 1886-87 (A, 85)
• At the Moulin Rouge, 1892-5 [H p. 284]

Ensor

• Entry of Christ into Brussels (A cp 44)
• Scandalized Masks, 1883 (A, 123)
• Self-Portrait with Masks, 1899 (A, 124)
• Old Woman with Masks, 1889.
• Bons Juges

Redon

• Sybil, 1899-90 (Walker Art Center)
• Seahorse in UnderwaterLandscape
• Cyclops, 1905.
• Roger & Angelica, c. 1910 (A cp 26)

Munch

• The Voice, 1893.
• The Scream, 1893 [A, 120; L p. 66; H p. 282]
• Vampire, 1893-94 (A, 121)
• Anxiety, 1894
• Death of Marat, 1894
• Woman (Sphinx), 1894
• Ashes, 1894
• Jealosy, 1894-95
• Madonna, 1895-97
• The Red Vine, 1898

Hodler

• Night 1889-90 (A, 122)

LATE 19c SCULPTURE *see handout in packet*

• Rosso

Concierge, 1883 (144)

Rodin

• Man with the Broken Nose, 1863-64 (A, 131)
• The Age of Bronze, 1877 (A, 132)
• Walking Man, 1877-1911
• St. John the Baptist Preaching, 1878

Gates of Hell, 1880-1917 (A, 133)

• Eve Against a Pillar Falling Man holding Crouching Woman (see A, 135)
• Detail of Left Pilaster Fugit Amor group Lintel & Detail (plaster)
• Detail of Left Pilaster showing Centaur

Works that come from "Gates"

• Adam, Eve, 1881
• The Three Shades, 1881
• Paolo & Francesca / Fugit Amor, 1884
• The Thinker, 1880
• I am Beautiful, 1882 (based on falling man holding crouching woman)
• The Eternel Springtime, 1884 (based on Paolo & Francesca)

Post-Gate workd

• The Helmet Maker's Wife, 1884-85
• Burghers of Calais, 1884-86 (A, 137)
• Danaid, 1885
• The Eternel Idol, 1889
• Iris, Messanger of the Gods, 1890 (A, 136)
• Christ & Mary Magdalene, 1894 (plaster)
• Balzac, 1892-1897 (A, 138 & 139)
• Study (Balzac Nude), 1893-95 (plaster)
• Study (Balzac Nude with open Coat), 1893-95 (plaster)
• Copy of Balzac Dressing Gown (cloth soaked in plaster), 1895
• Study (Balzac in a Dominican Habit), 1892-95
• Finished Version of Balzac (1898, bronze)
• Monumental Head of Balzac (enamelled stoneware)
• The Kiss, 1901-1904
• The Hand of God, 1897
• The Cathedral, 1908

Camille Claudel

• Abandon, 1886-1905
• Clotho, 1893
• God Flown Away, 1894
• Jeanne Enfant (marble, lighted), 1895
• L'Age mûr, 1898
• Les Bavardes, 1897 (plaster study, onyx & bronze finished version) (A, cp 46)
• Bathers (the Wave), 1898-1900/1903 (onyx & bronze on marble)
• The Implorer, 1900
• The Fluteplayer (the Siren), 1900-1905
• Deep Thought, 1905
• The Waltz, 1891-1905

Art Nouveau in Design & Architecture (also considered symbolism)

Van de Velde

• Tropon, c. 1899 (A, 106)

Beardsley

• Salome, 1893 (A, 105)

Gaudi

• Guëll Park (cp 42)
• Sagrada Familia (A, 109)

Horta

• Stairwell, 1891-93 (A, 111)

Guimard

• Metro, 1901 (A, 114)

TRACK ONE: HERITAGE OF VAN GOGH AND GAUGUIN EXPRESSIONISM IN FRANCE:

Fauvism & Matisse

Derain

• The Turning Road, L'Estaque, 1906. [A cp 57; H p. 132]
• London Bridge, 1906. (A cp. 56)
• The Pool of London, 1906. [L p. 61]

Vlaminck

• Portrait of Derain, 1905 (A cp 58)
• House at Chatou, 1903. [L p. 61]

Roualt

• Nudes, 1905. [Not in Book; hereafter abbreviated n.i.b.]
• Prostitute Before a Mirror, 1906. (A, 151)
• The Procuress, 1906
• Man is a Wolf to Man, 1915. [n.i.b.]
• Old King, 1916-36 (A cp 60)

Van Dongen

• Soprano Singer, 1908. [n.i.b.]
• Female Acrobat, 1910.
• Composition with Flowers & Dog

Dufy

• Street Decked with Flags, Le Havre, 1906. (A cp. 59)
• Nautical Party, 1906
• Fourteenth of July, 1907
• Old Port at Marseilles, 1907

Matisse

• Luxe, Calme et Volupté, 1904-1905. [A cp 48; H p. 136]
• The Open Windon, Collioure, 1905. [A cp. 49; H p. 137]
• Woman with the Hat, 1905. [A cp. 50]
• The Green Stripe, 1905. [A cp. 51; L, p. 62]
• Joy of Life, 1905-1906. [A cp 52, 53]
• Still Life with Pink Onions, 1906

Later Matisse

• The Blue Nude, 1907. [A cp 54] cf. Bonnard, Blue Nude, 1899. [H p. 91]
• Le Luxe II, 1907-08 (A cp 55)
• Harmony in Red, 1908-1909. [A cp. 62]
• The Serf, 1900-04 (A 173) (Sculpture)
• Reclining Nude 1, 1906-07 (A 174) (Sculpture)
• Two Women, 1907 (A 175) (Sculpture)
• La Serpentine, 1909. [A 176] (Sculpture)
• The Dance, 1910. [A cp 63; H p. 138] cf. Derain, The Dance, 1906. [n.i.b.]
• Barnes Mural based on The Dance, 1931-32. (A 336)
• Music, 1909-10 (A cp 64)
• Still Life with Goldfish, 1911
• The Red Studio, 1911. [A cp 65; H p. 140]
• Jeanette (sculpture series), 1910-1911. [A 178]
• Back (sculpture series), 1910-1914. [L, p. 72; A 177]
• Porte-Fenêtre à Collioure, 1914. [H p. 142]
• Interior with a Violin, 1917
• Piano Lesson, 1916-1917. [A cp. 148]
• Decorative Figure, 1925-36 (A cp 149)
• Large Pink Nude, 1935 (A cp 151)
• Preliminary cover maquette for Verve, June 1945 (gouache, cut paper)
• Tapestry designed by Matisse, 1950-51
• "Polynesia - The Sea" Paper Cut Outs, 1951-52
• Large Composition with Masks, 1953. [H, p. 153]
• Ivy in Flower, 1953 (A cp 152) (collage)
• The Snail, 1953. [L p. 235] (collage)

Later French Expressionism Ñ The Paris School

Modigliani

• Rose Caryatid, c. 1913
• Head (sculpture), 1913 (A 328)
• Preliminary study for a Portrait of Diego Rivera, 1914
• Paul Guillaume, 1915 Head of a Young Woman, 1915
• Portrait of a Young Woman, 1916
• Portrait of Lunia Czechowska, 1917
• Woman in a Black Necktie, 1917
• Nude, 1917. [A, cp. 144] (see L, p. 138)

Foujita

• Nude (Olympia), 1922
• Circus Performer with Lion

Soutine

• Fish and Tomatoes. [n.i.b.]
• Woman in Red, 1924-25 (A cp 145)
• Side of Beef, c. 1925. [A cp 146]
• Dead Fowl. [n.i.b.]
• Page Boy, c. 1927

Laurencin

• Group of Artists, 1908 (A 228)
• Women with a Dove, 1919
• The Girls, 1921

de Lempicka

• Les Deux Amies, 1923
• Group of 4 Nudes, 1925
• La Belle Rafaëlla, 1927
• Femmes au bain, 1929
• Deux amies, 1930
• Nude with Drapery, 1931
• Adam & Eve, 1932
• Young Girl at the Window, 1933

Expressionism in Germany

Modersohn-Becker

• Self-Portrait with Camellia. (A 154; see L, p. 65)
• Self-Portrait with Amber Necklace, 1906
• Mother and Child

Nolde

• The Last Supper, 1909. [L, p. 67; A, cp. 66]
• Dance Around the Golden Calf. (see A cp 71)
• Still Life With Masks cf. Trophy head from Brazil. [n.i.b.]
• Prophet (woodcut), 1912. [A 162]

Kollwitz

• Poverty, 1893-94
• Death Seizing a Woman (litho), 1934. (A 164)
• The People, 1922
• Mothers, 1921
• Seed for Planting must Not be Ground, 1942

Marcks

• Cats (woodcut), 1921.

German Expressionist Group: Die Brücke ("The Bridge")

Kirchner

• Woman on a Blue Divan, 1907
• Girl with an Umbrella, 1909
• Street, Dresden, 1907 (A cp 67)
• Under a Japanese Umbrella, 1909. [L, p. 66]
• The Street, 1913. (A 155)
• The Red Cocotte, 1914-25. [H, p. 287]
• Catalogue Cover, 1910
• Self Portrait with Model
• Self-Portrait as Soldier, 1915. [H, p. 70]
• Artillerymen in Showers, 1915
• Self-Portrait with Cat, 1919-20 (A cp 68)

Pechstein,

• Indian and Woman, 1910. (A cp. 69)
• Somali Dancers, 1910 (A cp 73)

Schmidt-Rottluff

• Pharisees, 1912. [n.i.b.]
• Rising Moon, 1912 (A cp 70)

Heckel

• Standing Child, 1910 (A cp 72)

German Expressionist Group: Der Blaue Reiter ("The Blue Rider")

Kandinsky

• Riding Couple, 1907. [n.i.b.] cf. similarly decorated furniture by Kandinsky
• Russian Beauty in a Landscape
• Blue Mountain, 1908-09 (A 166)
• Landscape near Murnau with Locomotive, 1909. [H, p. 301]
• Composition no. 2, 1910. [A, cp. 75]
• Composition IV, 1911. [L, p. 92]
• First Abstract Watercolor, 1910. [A, cp. 59]
• Improvisation no. 6, 1910. [n.i.b.]
• With the Black Arch #154
• Little Pleasures, 1913. [H, p. 205]
• Composition VII, 1913 (A cp 76)
• Black Lines no. 189, 1913. [H, p. 206]
• Improvisation II (Cannons), c. 1914
• White Line, no. 232, 1920. [A, cp. 116]
• Composition IX, no. 626, 1936.
• Circle on Black #241

MŸnter

• Black Mask amid Roses, 1912. [L, p. 93]

Marc

The Blue Horses, 1911. [A, cp. 77]

• Yellow Cow, 1911
• The Red Lady, 1912. [n.i.b.]
• Dog, Fox and Cat, 1912
• Horses and Eagle, 1912
• Tiger, 1913
• The White Dog, 1913-1914. [n.i.b.]
• Bewitched Mill, 1913
• The Fate of the Animals, 1913. [H, p. 69]
• Animals in a Landscape, 1914. [L, p. 90]
• Stables, 1913-14. [A, cp. 78]
• Fighting Forms, 1914. [A, cp. 79]

Macke

• Great Zoological Garden, 1912 (A cp 80)

Jawlensky

• Woman with Fringe, 1913. (see A 167)
• Spanish Girl, 1913
• Dancer A. Sacharoff Love (from the Constructivist Head Series), 1925

Later German Expressionism: Nueu Sachlichkeit (new objectivity)

Grosz

• Café Scene, 1914 (drawing). [L, p. 102]
• Café, 1925
• Dedicated to Oskar Panizza, 1917-18 (A 141)
• Victim of Society a.k.a. The Unhappy Inventor, 1919
• Daum marries her pedantic Automaton George..., 1920. [H, p. 77]
• Grey Day, 1921
• Pillars of Society, 1926. [L, p. 128]
• The Crucified Ham, 1950

Dix

• Sunrise, 1913
• Cardplaying War-Cripples, 1920. [H, p. 74]
• Prague Street, 1920
• Dedicated to Sado-Masochists, 1922
• The Doctor, 1921. [n.i.b.]
• The Doctor Heinrich Stadelmann, 1922. [n.i.b.]
• Dr. Mayer-Hermann, 1926. [A 322]
• The Journalist, Sylvia fon Harden, 1926. [L, p. 128]

Schlichter

• The Rooftop Studio, c. 1922. [H, p. 79]

Beckmann

• The Night, 1818-1819. [H, p. 291]
• The Trapeze, 1923. [L, p. 129]
• The Departure, 1932-33. [A, cp. 136]

Expressionism in Austria and Switzerland

Klimt

• Fulfillment, 1905-09. [n.i.b.]
• Danaë, 1907-08
• The Kiss, 1909. [L p. 58]
• Death and Life, 1908 and 1911. [A, cp. 40]
• The Three Ages of Woman. [n.i.b.]
• Salome
• Portrait of Elizabeth Bachofenecht, c. 1912

Schiele

• Self Seer II, 1911. [A, cp. 84] (see L, p. 100)
• Self Portrait with Chinese Lantern Plant
• Seated Nude, 1910

Kokoschka

• Portrait of Adolphe Loos, 1909. [A 171; H, p. 289] (see L, p. 99)
• Herwarth Walden, 1910
• Heinrich von Neumann, 1916
• The Tempest, 1914. [A cp 85; H, p. 289] (also called The Bride of the Wind)
• Two Nudes (Lovers)
• Self Portrait with Doll
• poster
• Fishes on the Beach, 1930
• The Red Egg, 1940-41

Klee

• Two Gentlemen Bowing... 1903 (A 168) (etching)
• Carpet of Memory, 1914 (see A cp 82)
• Der Niesen, 1915 (watercolor)
• With Eagle, 1918 (watercolor on gesso)
• Villa R, 1919
• Dance You Monster, 1922. [A, p. ]
• Twittering Machine, 1922
• Senecio, 1922
• Ventriloquist (caller in the moor), 1923
• The Golden Fish, 1925
• Neighborhood of the Florentine Villas, 1926. [L, p. 127]
• Mask of Fear, 1932. [n.i.b.] cf. Zuni war God.
• Kettle Drummer, 1940. [n.i.b.]

Picasso's Expressionism

Blue Period

• La Vie, 1903. [A cp 87; L p. 59]

Rose Period

• Woman Ironing, 1904. [A, cp. 40]
• Family of Saltimbanques, 1905 (A cp 88)

TRACK TWO: HERITAGE OF CEZANNE & SEURAT

Cubism and Related Movements * see handout *

Picasso

• Portrait of Gertrude Stein, 1905-1907. [A 198]
• Two Nudes, 1906 (A 199)
• Les Demoiselles d'Avignon, 1907 [A cp 89; L, p. 64; H, p. 22]

Braque

• Olivier pres de l'Estaque, 1906
• Landscape at Ciotat, c. 1906 [n.i.b.]
• Port, 1906 Braque, Landscape at Ciotat, 1907
• Grand Nu, 1908. [A 202; H, p. 25]

Analytic Cubism

Braque

• Houses at L'Estaque, 1908. [A cp 91; L, p. 63; H, p. 26]
• Violin and Palette, 1909. [A, cp. 92] (see L, p. 65)

Picasso

• Seated Woman (Fernande), 1909. [n.i.b.]
• Head (Fernande) (sculpture), 1909-1910. [A 207]
• Girl with Mandolin, late 1910. [A 208]
• Portrait of Vollard, 1911
• Port. Kahnweiler, 1911. [A cp 93]
• The Accordionist, 1911 (A 209)
• Ma Jolie, 1911-1912. [H, p. 30]

Braque

• The Portugese, 1911. [A 210; H, p. 31]

Synthetic Cubism

Braque

• Soda, 1911. [H, p. 33]

Picasso

• Still Life with Chair Caning, 1912. [A cp 94; H, p. 33]

Braque

• Fruit Dish & Glass, 1912 (A 211)

Picasso

• Guitar, Sheet Music & Glass, 1912 (A 212)

Braque

• Violin and Pipe, 1913-1914. [L, p. 84]

Picasso

• Guitar, 1912-1913. (sculpture) [A 215; H, p. 90]

Decorative Cubism

Picasso

• Vive La France, 1914.
• Portrait of a Young Girl, 1914
• Green Still Life, 1914 (A cp 95)
• Still Life, 1914 (sculpture) (A 217)
• Glass of Absinthe, 1914. (sculpture) [A cp 96 ]

Gris

• Homage to Picasso, 1912 (A 224)
• The Table, 1914 (A 225)
• Breakfast, 1914. [n.i.b.]
• Fantomas, 1915. [L, p. 85; H, p. 35]
• Still Life with Townscape (Place Ravignon), 1915 (A cp 99)
• Guitar and Sheet Music, 1926 (A cp 100)

Laurens

• Bottle, Glass and Newspaper, 1917. [L, p. 105]
• Bottle & Glass, 1918 (A 222)
• Guitar & Clarinet, 1920 (A cp 98)

Later Picasso and Braque

Picasso

• Guernica, 1937. [A 381; L, p. 167; H, p. 109]

Braque

• Vase, Palette and Skull, 1939. [A, cp. 157] (see L, p. 123)

Tubism

Leger

• Three Nudes in a Forest, 1909-10
• Woman Sewing, 1910
• The Wedding, 1910-1911. [n.i.b.]
• Contrast of Forms, 1913 (A 229)
• The Cardplayers, 1917. [H, p. 37]
• The Propellors, 1918. [n.i.b.]
• The City, 1919. [A cp 102]
• Three Women (Le Grand Déjeuner), 1921. [A cp 159; L, p. 123; H, p. 37]
• Women in an Interior, 1922
• The Great Parade, 1954. [A cp 160]

Purism

Ozenfant

• Still Life, ca. 1918. (see A 351)

Le Corbusier (Jeanneret)

• Still Life, ca. 1920. (see A 352)

Abstraction and Cubist Influence in Sculpture

Maillol

• The Mediterranean, 1902-05 (A, 141)
• The River, 1938 (A, 142)

Derain

• Crouching Man, 1907 (A 172)

Brancusi

• The Kiss, 1908. [A 192]
• The Kiss, 1925
• Sleeping Muse, 1909-10 (A 185) \
• The Newborn, 1915. (A 186)
• Mlle. Pogany, 1913-31. (A 189)
• Danaide (Mlle Pogany)
• Princess X, 1916. compared with a Papuan Pestle
• Adam & Eve, 1916-21
• Torso of a Young Man, 1924 (A 190)
• Bird in Space, 1925. [A cp 86; L, p. 141; H, p. 309]

Brancusi

• The Studio c. 1927 (A 188)
• King of Kings, c. 1930 (A 193)
• Endless Column, 1937-38 (A 194)
• The Seal, 1943
• The Fish

Sculpture Group (1964 exhibition)

Epstein

• The Rock Drill, 1913-1914. [H, p. 49]

Duchamp-Villon

• Seated Woman, 1914.
• Horse, 1914. [A 219]
• Portrait of Professor Gosset, 1918

Archipenko

• Médrano II, 1913 (A cp 97)
• Walking Woman, 1918-19 (A 218)

Chana Orloff

• Draped Woman, 1911

Lipchitz, Man with a Guitar, 1915 (A 220)

• Sailor with a Guitar, 1924
• Figure, 1926-30.
• Reclining Nude with Guitar, 1928. [L, p. 140; A 221]
• Prometheus Strangling the Vulture, 1944.

Zadkine

• 1890 Photo taken in Russia of various works in progress. [n.i.b.]
• Woman with a Fan, 1920
• Homo Sapiens, 1935 (elm wood)
• The Brothers Van Gogh, 1963.
• Vincent Van Gogh (monument in Auvers-sur-oise)

Futurism

Duchamp (France),

• Portrait, Dulcinee, 1911. [n.i.b.]
• Nude Descending a Staircase, no. 1, 1911.
• Nude Descending a Staircase, no. 2, 1912. [A cp 105; H, p. 53]

Balla (Italy)

• Girl Running on a Balcony, 1912
• Stairway to Farewells, 1908. [n.i.b.]
• The Street Light, 1909. [A cp 107]
• Dynamism of a Dog on a Leash, 1912. [A 235; L, p. 93; H, p. 46]
• Flight of the Swifts, 1913. [A, cp. 89]

Severini (Italy/Paris)

• Dynamic Hieroglyphic of the Bal Tabarin, 1912. [A cp 108; H, p. 47]
• Self Portrait, 1912. [n.i.b.]
• Blue Dancer, 1912. [n.i.b.]
• Sperical Expansion of Light (Centrifugal), 1914. [A cp 109]

Carrà (Italy)

• Funeral of the Anarchist Galli, 1910-11.
• Patriotic Celebration (Free Word Painting), 1914. [A cp 110] (pasted paper, cloth)

Boccioni (Italy)

• The City Rises, 1910. [A cp 111; H, p. 45]
• States of Mind: Those Who Stay, 1911. [L, p. 94]
• States of Mind: The Farewells, 1911 (A 234)
• The Laugh, 1911.
• The Mother (sculpture) 1912.
• Development of a Bottle in Space, 1912. [A 238]
• Synthesis of Human Dynamics, 1912. [n.i.b.]
• Unique Forms of Continuity in Space, 1913. [L, p. 104; A 240]

Orphism

Kupka

• Disks of Newton, 1911-12 (A cp 103)
  

Delaunay

• St-Severin, 1909.

Delaunay-Terk

• Blanket, 1911 (A cp 104)

Delaunay

• Simultaneous Open Windows, 1912. [L, p. 88]

Delaunay-Terk

• Simultaneous Contrasts, 1912. [L, p. 89]
• Electric Prisms, 1914

Delaunay

• Simultaneous Contrasts: Sun and Moon, 1913. (A cp 101)
• The Red Tower, 1911-12. [A 230; H, p. 39]
• Homage to Blériot, 1914. [H, p. 41]
• Rhythme: Joie de Vivre, 1930

Taeuber

• Rythmes Libres, 1919 (A cp 132)

Vorticism (England)

Lewis

• Composition, 1913 (A 456)
• Composition in Blue, 1915
• Revolution, c. 1917.

Synchromism (America)

Russell

• Synchromy in Orange, 1913-1914. [A cp 215]

MacDonald-Wright

• Abstraction on Spectrum (Organization, 5), 1914. [A cp 214]

Precisionism (America)

Davis

• Lucky Strike. [n.i.b.]
• Odel, 1924. [L, p. 132]
• House and Street, 1931.

Sheeler

• Church Street, 1920
• Ford Plant, 1927
• American Landscape, 1930
• View of New York, 1931
• Cactus, 1931
• Architectural Cadences, 1954
• Composition Around Red. Pennsylvania, 1958

Demuth

• I Saw the Figure 5 in Gold, 1928. [A, cp. 191]

-----(extension) Hopper

• Early Sunday Morning, 1930.
• Eleven A.M.
• Nighthawks, 1942

Rayonism, Cubo-Futurism, Suprematism in Russia

Larionov

• Red Rayonism, 1911 (goauche/cardboard) (see A 241)
• Red and Blue Rayonism, 1913.

Goncharova

• Gardening, 1908. [L, p. 68]
• Cats, 1911-1912.
• The Laundry, 1912. [A cp 112; H, p. 83]
• Rayonist Flowers, 1914
• Goncharova costume designs

Stepanova

• Sportswear design, 1923 (A cp 118)

Popova

• Early Morning, 1914. (A cp 113)
• Landscape, 1914. [n.i.b.]
• Portrait of a Woman (relief, oil on paper, cardboard, wood)
• Painterly Architectonics, 1917.
• Painterly Architectonics, 1918.
• Painterly Architectonics, 1918. [L, p. 97]
• Painterly Architectonics, 1920
• Spatial Construction, 1921
• Set Design, 1922. (A 243)
• embroidered book cover, c. 1923-24

Rozanova

• Untitled, 1917-18 (A cp 119)

Malevich

• The Bather, 1910.
• Morning in the Country after Rain. 1911. (see A cp 114)
• Scissors grinder, 1912.
• Woman with Buckets, 1912.
• Taking in the Rye, 1912. [L, p. 95]
• Englishman in Moscow, 1913.
• The Guardsman, 1913.
• Private of the First Division, 1914.
• Suprematist Composition, 1914.
• Suprematist Composition: Airplane, 1914.
• Suprematist Painting, 1915
• Suprematism: Painterly Realism of a Football Player, 1915
• Suprematist Painting: Yellow Quadrilateral, 1917-18. [L, p. 96]
• Suprematist Painting: Sound Waves, 1917-18
• Suprematist Composition: White on White, c. 1918. [A 245]
• Black Circle, 1920s
• Black Cross, 1920s

Lissitzky

• Beat the Whites with the Red Edge, 1919. [H, p. 94] cf. Cartoon
• Proun Composition #2, 1920. [L, p. 126]
• Proun Composition 19d, ca. 1922.
• Page of Two Squares, 1922
• Proun Space, 1923 (A cp 115)
• Proun Composition 99 (Proun 99), 1924-25. [A 247]

Russian Constructivism

Tatlin

• Corner Relief 1915. [H, p. 90]
• Counter Relief, 1916 (A 249)
• Corner Counter Relief, 1915-25
• Model for the Monument to the Third Itnt, 1919. [A 250; L, p. 97; H, p. 91]
• -------(Hausmann, Tatlin at Home, 1920. [H, p. 91]
• -------(Lizzitsky, Tatlin Working on the Monument, 1921-22)

Rodchenko

• Construction of a Complex Composition, 1913. (watercolor)
• Black on Black, 1918
• Linearism, 1920. (oil)
• Self Portrait, 1920
• Poster for Trekhgornoe Beer, 1923. [H, p. 97]
• Assembling for a Demonstration, 1928 (gelatin silver print) (A 253)
• At the Telephone, 1928 (gelatin silver print)

Russian Constructivist Sculpture

Gabo

• Opus Three (monoprint)
• First Constructed Head, 1915. [A 254]
• Column, 1923. [A 255]
• Construction in Space with Balance on Two Points, 1924-25. [L, p. 141]
• Construction in Space, 1924-25
• Linear Construction, Variation, 1942-43.
• Construction for the Bijenkorf Dept. Store, 1954.

Moholy-Nagy

• Untitled (Photogram), 1922. [L, p. 143]
• Construction, work #4, 1923. [L, p. 126]
• Light-Space Modulator. 1922-30.

Belling

• Madonna, 1925.

De Stijl in the Netherlands (Neo-Plasticism) (see A 256, 257, 258, 259)

Mondrian

• Windmill in Sunlight, 1908
• The Red Tree, 1908. [H, p. 204] (see A cp 120)
• Amaryllis, 1910
• The Red Mill, 1910/11
• Evolution, 1910.
• The Grey Tree, 1912. [H, p. 204]
• Still Life with Ginger Jar, 1911/12
• Composition Trees II, 1912
• Pier and Ocean, 1915. [L, p. 98; H, p. 205]
• Composition in Blue B., 1917.
• Composition in Color A, 1917 (A cp 121)
• Composition in Red, Yellow, Blue and Black, 1921
• Composition, 1925.
• Lozenge in Red, yellow and blue, c. 1925
• Composition, 1930.
• Composition in Black, White, Yellow & Red, 1939/42
• Composition in Red, Yellow & Blue, 1939-42
• New York New York, 1941/42
• Broadway Boogie Woogie, 1942-3. [H, p. 206]

Decorative arts & architecture: De Stijl

Rietveld

• Red and Blue Chair, 1918. [H, p. 201]
• interior (A 287)
• Model of the Schršder House, 1923-24. [A cp. 124]
• Schršder House, 1924. [A cp 125; L, p. 114]

Architecture

Wright

• Robie House, 1908. [L, p. 55]
• Falling Water (the Kauffman House), 1935. [L, p. 154]

Gropius/Meyer

• The Fagus Shoe-last factory, 1911. [L, p. 83; H, p. 196]

Gropius

• Bauhaus, Dessau, 1925-26. [L, p. 116; H, p. 197]

Mies van der Rohe

• German Pavilion at the International Exposition, 1929. [H, p. 183; L, p. 117]

Le Corbusier

• Pavilion de l'Esprit Nouveau, 1925. [L, p. 118]
• Villa Savoye, Poissy, 1929-31. [L, p. 119;H, p. 193]
• Unité d'Habitation, Marseilles, 1946-52. [L, 187; H, p. 189]
• Notre Dame du Haut, 1950-54. [L, p. 217; A, p. 443]

TRACK ONE: HERITAGE OF GAUGUIN & VAN GOGH

TRANSITION: FANTASY AND NAIVE ART

Rousseau

• Portrait of a Child
• Portrait of Pierre Loti
• Carnival Evening, 1886 (A cp 27)
• Myself: Portrait Landscape, 1890 (A 77)
• The Sleeping Gypsy, 1897. [A cp 78]
• The Dream, 1910. [A cp 28; H, p. 228]
• Fight between a Jaguar and a Horse
• Tropical forest with Monkeys
• Beauty and the Beast

Chagall

• Calvary, 1912.
• Self-Portrait with Seven Fingers, 1913. [H, p. 84]
• Paris Through the Window, 1913. [A, cp. 120]
• Birthday, 1915
• Circus Rider (Chicago Art Institute)
• Juggler.
• Ceiling of the Paris Opera
• American Windows (Chicago Art Institute), 8 ft. x 32 ft.

METAPHYSICAL PAINTING

De Chirico

• Mystery and Melancholy of a Street, 1914. [H, p. 219]
• Nostalgia of the Infinite, 1913-14. [H, p. 218]
• Italian Plaza, 1915
• Uncertainty of the Poet, 1913
• The Seer, 1914.
• Philosophes and Poet, 1914
• The Philosopher's Conquest, 1914. [L, p. 103]
• The Disquieting Muses, 1916. [H, p. 220]
• Il Trovatore, 1917
• Metaphysical Interior with a Small Factory, 1917

DADA (Paris to New York 1915-1920)

Duchamp

• Coffee Mill, 1911 (oil on cardboard)
• The Bride, 1912. [A, cp. 129]
• Passage of the Virgin to the Bride, 1912. [A, cp. 130]
• Bicycle Wheel, (replica of lost 1913 original)
• Fountain and Bottlerack, both dated 1917. [L, p. 101; A, p. 305]
• In Advance of a Broken Arm, 1919. [you can find it in your garage!]
• 50 cc of Paris Air, 1919
• The Large Glass, 1915-23 [H, p. 54]
• -----cf. diagrams; chocolate grinder; 9 malic molds (etching), 1965-66
• -----cf. Merce Cunninham set "Walkaround Time" by Jasper Johns using motifs from the glass
• Glider containing a watermill in a Neighboring Metal, 1913-1915.
• L.H.O.O.Q., 1919. [H, p. 67] cf. Man Ray, Duchamp as Rrose SŽlavy, c. 1920
• ----- cf. vous pour moi suitcase labels
• Readymade, 1925/64
• Rotary Glass Plates (precision optics), 1920
• Rotorelief (optical disks) lithograph, 1935
• Vue Photographique sur le nu depuis le trous du voyeur, 1946-66.
• Given: 1 the waterfall; 2 the illuminating gas (painted leather/plaster relief)
• Sculpture morte, 1959.
• Torture morte, 1959.

Picabia

• I See Again in my Memory My Dear Udnie, 1914. [H, p. 50]
• La Fille Née Sans Mère, 1916-1917. [H, p. 50]
• Amourous Procession, 1917.
• Child Carburetor, 1919.
• Portrait of Cézanne, c. 1920 (no longer intact)

Man Ray

• Rope Dancer.
• Object, 1919. (a.k.a. Gift)
• Lampshade, 1919-/1964
• Return to Reason, 1936
• Duchamp with the Large Glass, 1917/23
• Dust Breeding, 1920
• Rayograph, ca. 1920.
• Violon d'Ingres, 1924. [L, p. 143]
• Black and White 1926 (solarized & non-solarized)
• Untitled, 1930
• Tomorrow, 1932
• Electricity - Bathroom, 1931
• Interior, 1933
• Restored Venus, 1936
• Barbette Making Up, c. 1936
• Masks, 1946

aside -- photographs of "Hysterics" (medical documentation)

André Kertesz

• Distortion #117, 1933
• Distortion #40, 1933 (Zurich 1916-1919)

Arp

• Squares arranged according to the laws of chance, 1916-1917.
• Objects arranged according to the laws of chance, 1930. (sculpture)
• Constellation with Five White Forms and Two Black variation III, 1932

Taeuber-Arp

• Composition of Circles and Overlapping Angles, 1930. [L, p. 166]

Arp

• Birds in An Aquarium, c. 1920 [H, p. 62]
• Clock, 1924 (painted relief)
• Mountain Table Anchors Navel, 1925.
• Metamorphosis (shell-swan-balance-you)
• Pre-Adamic Torso, 1938. [L, p. 171]
• Human Concretion, 1949. [A, p. 345]
• Torso de Femme, 1953
• Torso Kore, 1958
• Torso-Leaf, 1963 (Germany 1918-23)

Schwitters

• Picture with Light Center, 1919. (see L, p. 130)
• Revolving, 1919
• Merz Construction (wood), 1921.
• Merzbild... 1920
• Miroir-Collage, c. 1920
• Fernsp Collage, 1926.
• Glass-flower (assemblage)
• For the Modern, 1947

Hšch

• Pretty Maiden, 1920. [H, p. 72]
• Cut with the Kitchen Knife. Dada through the last Weimar beer belly cultural epoch of Germany,
• Dompteuse (Tamer), c. 1930
• Marlene, 1930
• Degenerate, 1969

Hausmann

• The Spirit of Our Time, 1921. [H, p. 76]

Surrealism

Cadavre exquis examples

• Tanguy, Man Ray, Breton
• Max Morise, Man Ray, Tanguy
• Miro, Max Morise

Ernst

• Landscape (town with animals), c. 1914-16
• Fish Fight, 1917
• Murdering Airplane, 1920. [H, p. 72]
• Cheerful Awakening of the Geyser, 1921
• Elephant Celebes, 1921. [H, p. 222]
• Ubu Imperator, 1923
• Two Children are Threatened by a Nightingale, 1924. [H, p. 224]
• Dadaville, 1924
• The Couple, 1924
• Forest, 1925
• Blessed Virgin chastising child Jesus
• Blind Swimmer, 1934
• Europe after the Rain, 1940-2. [H, p. 256]
• Toilette de la Mariee
• Napoleon in the Wilderness, 1941
• Antipope, 1941-42
• Surrealism and Painting
• Chemical Nuptials, 1948
• Some Animals, one of which is illiterate

Miro

• Catalan Landscape, 1923-34.
• The Harlequin's Carnival, 1924-25. [H, p. 234]
• Dog Barking at the Moon, 1926. [H, p. 234]
• Person Throwing a Stone at a Bird, 1926.
• Dutch Interior II, 1928. [L, p. 138]
• Flame in Space and Nude Woman, 1932. [F, p. 64]
• Woman, 1934 (pastel)
• Figure, 1934 (pastel)
• Man and Woman in Front of a Pile of Shit, 1935.
• Poetic Object, 1936. [n.i.b.]
• Object Laying Down, 1937. [n.i.b.]
• Still-Life with Old Shoe, 1937. [H, p. 176]
• Nursery Decoration, 1938.
• Painting, 1953. [A, cp. 155]
• Man & Woman, 1962. [n.i.b.] (sculpture)
• Person & Bird, 1967. [n.i.b.] "
• Female Insect, 1968. [n.i.b.] "
• Mr. & Mrs., 1969. [n.i.b.] "
• Person, 1972. [n.i.b.] " --cf. Nikki St. Phallé, Black Venus, 1967

Masson

• Battle of the Fishes, 1927
• Paspiphaë, 1943.
• Children Eating Fish (oil & sand)
• Le Peinture et le temps, 1938
• Untitled (2 deaths heads), 1927

Tanguy

• Mama, Papa is Wounded! 1927.
• Untitled (He is Coming), 1927
• Neither Legends nor Figures, 1930
• The Certitude of the Never Seen, 1933
• Untitled, 1940
• Indefinite Divisibility, 1942
• On Slanting Ground
• Taelle de Guepe, 1945 (gouache)

Matta

• Untitled 1938/39
• Untitled (Psychological Morphology), 1939
• Listen to the Living, 1941
• Disasters of Mysticism, 1942.
• Drive in the Knife, 1943
• A Grave Situation, 1946. [L, p. 188]
• I Shame Myself/I Ascend, 1948-49. [F, p. 130]

Dali

• Accomodations of Desire, 1929.
• Lugubrious Game, 1929. [H, p. 240]
• Illuminated Pleasures, 1929
• The Great Masturbator, 1929
• The Persistence of Memory, 1931. [H, p. 239]
• Disintegration of the Persistence of Memory
• Gala and the Angelus of Millet Immediately Preceding the Arrival of the Conic Anamorphoses, 1933.
• Mae West's Face which can be used as a surrealist apartment, 1934-35
• The Enigma of William Tell, 1933. [L, p. 165]
• Specter of Sex Appeal, 1934
• Inventions of the Monsters, 1937.
• Weaning of Furniture-Nutrition, 1934
• Soft Construction with Boiled Beans: Premonition of the Civil War, 1936
• Metamorphosis of Narcissus, 1937. [H, p. 239]
• Spain, 1938
• Shirley Temple, The Youngest Sacred Monster of Contemporary Cinema, 1939
• Retrospective Bust of a Woman, 1933 (1970)
• Aphrodisiac Jacket, 1936.
• Mannequin, 1938.
• Rainy Taxi, 1938.
• Young Virgin Auto-Sodomized by her own Chastity, 1954

Magritte

• One-night Museum, 1927
• The False Mirror, 1928.
• The Treason of Images, 1928-29. [H, p. 245]
• The Menaced Assassin. 1926. [L, p. 137; H, p. 245]
• The Disguised Symbol
• The Six Elements, 1929
• The Threshold of Liberty. [H, p. 246]
• Collective Invention, 1934
• Song of Liberty, 1948
• Act of Violence, 1932
• Fortune Telling, 1937
• The Rape, 1934. [H, p. 250]
• Portrait, 1935
• The Future of Statues, 1937
• The Red Model
• Manet's Balcony
• The Explanation, 1954
• The Empire of Lights, 1954
• Euclidian Walks, 1955
• Difficult Passage, 1964
• Philosophy of the Bedroom, 1966

Seligmann

• Ultra-Furniture, 1938. [H, p. 250]

Bellmer

• The Doll, 1935. [L, p. 179; H, p. 251]

Oppenheim

• Object (Luncheon in Fur), 1936. [H, p. 242]

Kahlo

• Self-Portrait in a Velvet Dress, 1926
• A Few Little Pricks, 1935
• The Broken Column, 1940
• Corset, 1944
• The Dream, 1940
• Self Portrait, 1940 [L, p. 202]
• Self Portrait with Braid, 1941
• Roots, 1943

Escher

• Metamorphosis II, 1939-40 (3 color woodcut)
• Balcony, 1945 (litho)
• Doric Columns, 1945 (3 color wood engr)
• Dewdrop, 1948 (mezzotint)
• Puddle, 1952
• Three Worlds, 1955 (litho)
• Bond of Union, 1956 (litho)
• Print Gallery, 1956

Picasso

• Seated Bather, early 1930. [H, p. 253]

Sculpture (Fantasy-Surrealism)

Picasso

• Construction in Wire, 1928-29
• Woman in the Garden, 1929-30. [L, p. 168]

Gonzalez

• Harlequin, 1927-30
• Angel, 1930-32
• Woman combing her hair, c. 1931-33
• Reclining Figure, 1934
• Head, 1935
• Woman with a Mirror, c. 1936. [L, p. 170]
• Cactus Man, 1939

Picasso

• Bust of a Warrior, 1933.
• Bull's Head, 1943.

Giacometti

• Spoon Woman, 1926.
• The Couple, 1926
• Head, 1927
  
• Woman, 1928/29
• Man and Woman, 1927
• Woman with her Throat Cut, 1932. [L, p. 170; H, p. 254]
• Surrealist Table, 1933 (plaster)
• The Palace at 4 a.m. 1932-33. [F, p. 139]
• Invisible Objects (Hands Holding the Void), 1934-35.
• Man Pointing, 1947. [L, p. 204; F, p. 141]
• Group of Three Men, 1948-49
• The Nose, 1947
• Square: 3 Figures and a Head
• City Square, 1948. [F, p. 142]
• Walking Quickly under the Rain, 1949
• Tall Figure, 1949. compared to wood figure from Tanzania. [n.i.b.]
• Female Figure, 1946-47
• Chariot, 1950. [A, p. 395]
• Composition with 7 figures and a head, 1950. [A, p. 395]
• Cat, 1951
• Dog, 1951
• Bust of Man (Brother), 1960s

Ernst

• Lunar Asparagus. [A, p. ]

Germaine Richier

• Man of the Night Praying Mantis, 1946
• The Storm, 1948
• L'urgano/La Tempesta, 1948/49
• Le Diabolo, 1950
• Don Chisciotte, 1950-51
• The Claw Creature, 1952
• Tauromachia, 1953
• La formica, 1953 3
• Headed Horse, 1953
• L'acqua, 1953/4
• L'ombra, 1955
• La Montayna, 1955/6
• La Spirale, 1956

Cornell

• Butterfly Habitat, c. 1940
• Homage to the Romantic Ballet, 1942
• Soap Bubble Set, 1948
• Untitled (Large Owl), c. 1948
• Untitled (forgotton game), c. 1949
• Untitled (sequestered bower), c. 1948

Calder

• Liontamer, 1926/32 (ink/paper)
• Drawing for Circus Circus, 1926-31
• Acrobats
• Still Life - The Chicken, 1944
• Gibralter, 1936
• Clanger, 1941
• The Big Ear, 1943
• Bougainevellea, 1947
• Only, Only Bird, 1952
• Big Red, 1959
• Spider Web, 1965
• Devil, 1974
• Stabile examples

Hepworth

• Musician, 1929
• Two Forms, 1933
• Figure, 1933
• Mother and Child, 1934
• Three Forms, 1935
• Forms, 1937
• Group 1 (concourse), 1951
• Two Figures, 1954
• Figure, 1958
• Curved Form, 1961
• Two Figures, 1964
• 3 obliques (walk in) 1968-69
• Two Faces, 1969

Moore

• Family Group
• Reclining Figure
• Recumbent Figure
• Stringed Mother & Child
• The Helmet
• Working Model for upright internal/external form (plaster)

Track 1: Abstract Expressionism (Action) to Pop

Abstract Expressionism type 1: Action Painting (gesture) Europe to America

Hofmann

• Landscape, 1941. [F, p. 54]
• Composition #1, 1952.
• The Golden Wall, 1961. [F, p. 58]

Gorky

• Garden in Sochi, c. 1943. [L, p. 190]
• Agony, 1947
• Golden Brown Painting
• The Liver is the Cock's Comb, 1944. [H, p. 261]

Gottlieb

• Illuminated Crypt, 1946. [L, p. 191]

Pollock

• Male and Female, 1942. [F, p. 29]
• Composition with Pouring II
• Full Fathom Five
• Cathedral, 1947. [L, p. 192]
• Summertime no. 9a
• Lavender Mist Number 1, 1950. [H, p. 315]
• Autumn Rhythm
• Convergence, 1952
• Blue Poles #11, 1952
• Ocean Greyness, 1953

Krasner

• Blue Painting, 1946
• Volcanic, 1951-53
• The City, 1953
• Crisis Moment, 1980

Mitchell

• Untitled, ca. 1950
• Hemlock, 1956. [L, p. 226]

Guston

• Bombardment, 1937/38
• Atttar, 1953
• The Mirror
• The Studio, 1969
• Head, 1975
• Couple in Bed, 1977
• The Painter
• The Moon

Franz Kline

• Painting, 1952
• Mahoning, 1956

Willem de Kooning

• Excavation, 1950. [L, p. 227]
• Woman, 1949/50
• Study for Woman Woman I, 1950-1. [L, p. 228]
• Woman with a Bicycle, 1952/3
• Door to the River Untitled, 1977

Elaine de Kooning

• Sunday Afternoon

Grace Hartigan

• River Bathers, 1953
• City Life

L'Art Informel, Tachisme

• Hartung
• Untitled, 1963. [A, cp. 227]

Soulages, Painting, 1951/4

• Painting, 1952.
• Painting, 1956.
• Painting, 1957.
• Windows (Conques), 1994

Wols (Wolfgang Schulze)

• Blue Pomegranate, 1946.
• Composition V, 1946.
• Painting, 1944/5
• Untitled, 1946. [L, p. 196]
• Trees, 1946
• The Vowels, 1950
• Blue Phantom, 1951

Mathieu

• Painting, 1953.
• Diana, 1958.
• Capetians Everywhere
• Abstraction (Green), 1952.

Basaize

• Sea At Noon, 1960.

Burri

• Sack (vinayl on canvas), 1952
• Composition, 1953.
• Sack and White, 1953. [L, p. 239]
• Sacking and Red, 1954

Tapies

• Painting with Red Cross, 1954
• Painting Collage, 1964. (see L, p. 238)
• Painting

European Figural Version of Abstract Expressionism

Dubuffet

• Large Sooty Nude, 1944. [F, p. 133] (see L. p. 196)
• Will to Power, 1946
• Corps de dame (ink), 1950.
• View of Paris: The Life of Pleasure, 1944.
• The Squinter, 1953. [F, p. 128]
• Seated Cat, 1955
• Dimpled Cheeks, 1955
• Man with a Raincoat, 1954
• The Gypsy, 1954.
• The Cow with the Subtile Nose, 1954. [H, p. 266]
• Bird's Flight, 1959
• The Walk, 1961
• Business Prospers from the "Paris Circus" series, 1961. [F, p. 137]
• Virtual Virtue, 1963.
• Mouchon Berloque, 1963
• Sculptures and "trees" based on doodle patterns, 1960s. [n.i.b.]

Bacon

• Three Studies for figures at the base of the Crucifixion, c. 1944. [L, p. 199]
• Study after Velasquez's Portrait of Pope Innocent X, 1953. [L, p. 241; H, p. 297]
• Self-Portrait, 1970. [F, p. 146]
• Triptych, 1972
• Two Figures in the Grass, 1954
• Three Studies of Figures on Beds, 1972. [F, p. 146]
• Study for a Crucifixion, 1962
• 3 Studies of George Dyer,
• Portrait of George Dyer Riding a Bicycle
• Self Portrait, 1973
• Figure Writing with Reflection in Mirror, 1976
• Seated Figure, 1978
• Statues and Figures in a Street, 1983

Hundertwasser

• House born in Stockholm, 1965.
• Bethäuser, 1964.
• Irinaland over the Balkans The End of Greece, 1963
• The Nose Picker & the Mourning of Egon Schiele, 1965
• Street for Survivors, 1967
• Song of the Whales, 1978/79
• Tree Tenants do not Sleep Box Grass Red fog Gallery, 1974
• 10002 Nights Homo Humus Come Va How do you do, 1982/83
• Kunsthaus
  
• Vienna Grain Silo
• Keems AGIP Service Station, Vienna (model)

CoBrA group (Copenhagen + Brussels + Amsterdam)

Appel

• Work in Progress, 1968
• Personnage, 1958
• Children with Questions, II, 1947. [L, p. 197]
• Hip Hip Hooray, 1949
• Angry Landscape, 1967.

Jorn

• Mugwump
• Loss of Center, 1958
• A Soul for Sale, 1958-59. [F, p. 160]

Nieuwenhuys

• The Little Ladder, 1949. [F, p. 160]
• Alechinsky
• Death and the Maiden, 1967. [F, p. 161]
• The Large Transparent Things
• Dark Chalice, 1968

"Post-Painterly Assemblage"

• Rauschenberg
• Odalisk, 1955-8 [H, p. 336]
• Bed, 1955
• Canyon, 1959. [H, p. 178]
• Monogram, 1955-9 [L, p. 232; H, p. 336]
• Dylaby, 1962
• Art Box, 1962
• Booster, 1967
• Buffalo II

Johns

• Large White Numbers, 1958
• Flag, 1954-55. [L, p. 231]
• Target with Four Faces, 1955. [see H, p. 337]
• Numbers in Color, 1959. [L, p. 231]
• The Critic Smiles, 1959 (sculpture)
• Diver, 1962. [F, p. 214]
• False Start, 1959
• Fool's House, 1962
• Summer, 1985
• Perilous Night, 1982

American Pop Art

Warhol

• Where is Your Rupture, 1960
• Untitled, 1960-2
• Do it Yourself (violin), 1962
• Do it Yourself (seascape), 1962
• Dance Diagram-Tango, 1962
• Dance Diagram, 1962
• Campbell Soup Cans
• Eighty Two-Dollar Bills Front and Rear, 1962
• Coca Cola Bottles, 1962 Brillo Boxes, 1964/68
• Marilyn Diptych, 1962. [H, p. 350]
• Marilyn's Lips; 18 Multicolored Marilyns (reversal series), 1979-86
• Elvis (det.)
• Five Deaths 17 Times in Black and White
• Skulls, 1976
• Untitled (rorschach series), 1984

Lichtenstein

• As I opened Fire, 1964 [H, p. 352]
• Drowning Girl, 1963. [H, p. 352]
• M-Maybe
• Blam!, 1963.
• Yellow and Green Brushstrokes, 1966 [L, p. 260]
• Ceramic Head, 1966
• Haystack, 1969
• Red Horsemen, 1974

Oldenburg

• Soft Toilet, 1966
• Clothespin, 1976. [H, p. 361]
• Raisin Bread
• Soft Typewriter
• Geometric Mouse, 1969
• Giant Tootpaste Tube
• Icebag (kinetic sculpture)

British Pop

• Paolozzi
• Real Gold, 1950. [F, p. 236]
• I Was a Rich ManÕs Plaything, 1947
• Last of the Idols, 1963
• Bash (Baroque all-style high), 1971.
• Hamilton Just What is it That Makes Today's Homes So Different, So Appealing? 1956. [L, p. 256]
• $he, 1958-61

Hockney

• Adhesiveness, 1960. [F, p. 240]
• Doll Boy, 1960-61
• We Two Boys Cling Together, 1961
• Domestic Scene in L.A., 1963. [L, p. 258]
• Boy about to take a Shower, 1964
• Man taking a Shower in Beverly Hills, 1964
• Sunbather, 1966
• A Lawn being Sprinkled, 1967
• A Bigger Splash, 1967. [L, p. 258; H, p. 423]
• A Diver, Paper Pool 17, 1978. [F, p. 242]
• Don and Christopher in Los Angeles, 1982
• Christopher Isherwood talking to Bob Holman
• Walking in the Zen Garden at Ryoanji Temple, Kyoto
• Pearblossom Highway, 1986

Gilbert and George

• Outspan Lick
• Shit Faith, 1982
• Cabbage Worship
• Teething, 1992
• Fizzical, 1992
• Urinal, 1992
• City Fairies, 1992

Track 2: Abstract Expressionism (Color Field) to Hard-Edge, Op, and Minimalism

Setup (Early Color Field?)

Ryder

• Moonlight Marine, 1890Õs (A, 67)

Dove

• Team of Horses, 1911/12
• Nature Symbolized #2 (pastel), 1914
• Plant Forms (pastel), 1915
• River Bottoms, 1920
• Alfie's Delight, 1929
• Fog Horns, 1929
• Silver Tanks and Moon, 1930

Georgia O'Keeffe

• Evening Star III, 1917 (watercolor)
• Evening Star VII, 1917 (watercolor)
• Maple & Cedar, Lake George, 1920
• Street, New York I, 1926
• The Shelton with Sunspots, 1926
• Calla Lily-White with Black, 1927
• Dark Iris III, (pastel)1927
• Black Cross, 1929
• Red Hills and Bones, 1941
• Sculpture: Abstraction, 1916 (white laquered bronze)
• Abstraction, 1945 (cast aluminum)

Abstract Expressionism type 2: Color Field (America)

Rothko

• Subway Scene, 1938
• Antigone, 1941
• Vessels of Magic, 1946. [H, p. 263]
• Number 19, 1949
• Orange & Yellow Green & Maroon, 1953. [L, p. 222]
• White and Greens in Blue, 1957

Frankenthaler

• Tangerine (acrylics)
• Flood, 1967
• Moon Tracks, 1967
• For E.M., 1981
• Gateway, 1988

Louis

• Earth, 1958 (acrylics)
• Third Element, 1962

Still 1937-8-A, 1937

• Untitled (formerly "Self Portrait"), 1945
• Untitled, 1945 1945-K
• Untitled, 1950; 1957-D no. 1, 1957

Newman

• Onement, 1, 1948
• Abraham, 1949
• Vir Heroicus Sublimus, 1950-51. [L, p. 229; H, p. 319]
• Untitled no. 3, 1950
• The Word II, 1954
• Stations of the Cross (8,9,10,11, 12)

Development on optical theory and color theory in Europe and America

Concrete, Minimalism, Hard-Edge and beginning of Op (* see handout *)

Kelly

• Colored Strips Arranged by Chance, 1951 (collage)
• Painting for a White Wall, 1952
• Dark Blue Curve, 1995

Noland

• Bridge, 1964

Albers

• Homage to the Square: New Gate, 1951
• Homage to the Square: "Ascending," 1953. [F, p. 157]
• Homage to the Square: Apparition, 1959
• Homage to the Square: (study for "Beaming"
• Homage to the Square: Saturated
• Homage to the Square: Green-Gray Shield, 1959. [L, p. 269]

Stella

• Empress of India
• Pinstripe Series, 1962
• Jasper's Dilemma, 1962-63
• Honduras Lottery Company, 1962

Op Art

Vasarely

• Zebegen, 1964. [A, cp. 245]
• Aran, 1964
• Vonal-Ksz, 1968. [A, cp. 246]
• VEGA PER, 1969. [F, p. 157]
• Hexa-Heat (seriagraph)

Riley

• Current, 1964. [L, p. 269]
• Drift 2
• Cataract II, 1967
• Plexiglass no. 7 (silkscreen)
• Orphean Elegy I, 1978. [H, p. 391]

Nouveau Realisme

• Klein RE 19, 1958
• Blue Venus (undated)
• Fire Painting, 1961-62. [A, cp. 241]

Concrete Art

Fontana

• Spatial Concept, 1956
• Tela Tagliata, c. 1960. [n.i.b.]
• Spatial Concept, 1960
• Green Oval Concept, 1963. [A, cp. 230
• Spatial Sculpture, 1957
• Spatial Concept-Nature, 1959-60 (bronze)

MINIMALIST SCULPTURE

David Smith

• Volton XV, 1963
• Cubi VII, 1963
• Cubi XVIII, 1964

Tony Smith

• Smoke
• Die, 1962
• Moses, 1969

Carl André

• Timber Piece, dest. 1964
• Lever, 1966
• 144 Pieces of Zinc, 1967
• Steel-Aluminum Plain, 1969

Sol LeWitt

• Lines From 4 Corners to Points on a Grid (chalk on 4 walls)
• Framework Construction ABCD5, 1971-92

Dan Flavin

• Diagonal of May 25, 1963
• Diagonal, ca. 1963
• Monument for V. Tatlin, 1964-69
• Untitled (for Donna), 1971
• Untitled, 1987
• Untitled (To the Citizens of the Swiss Contons), 1987

Donald Judd

• Untitled, 1968
• Untitled
• Untitled, 1973

Morris

• Untitled, 1960
• Untitled, 1965
• Cantilever V

Serra

• Template (vulcanized rubber), 1967
• Moe, 1971
• Tilted Arc, 1982
• Modern Garden Arc, 1986

---Extension---- Hesse

• Accession II
• 1967 Sans II, 1968
• Contingent, 1969
• Tori, 1969
• Untitled, 1970

---Extension---- Nevelson

• Sky Cathedral, 1958
• Dawn's Wedding Chapel II, 1959
• Transparent Sculpture VII, 1967-68
• Mirror Shadow II, 1985

POSTMODERNIST ISSUES (* SEE HANDOUT *)

"APPROPRIATION" EXAMPLES

Kite

• Rude Awakening at Arles
• Fall of Man
• Sunday Afternoon in a Small Room
• Stonehenge/New House
• Sunflowers

Rea Mingeva

• Fruit

Botero

• After Van Eyck, 1978
• Meninas after Velasquez, 1978
• Guitar and Chair, 1983

Koons

• Rabbit, 1986
• Popples, 1988
• Vacuum cleaners encased in Lucite, 1981-86

CONCEPTUAL ART

Kosuth

• 1&3 Chairs, 1965

POSTMODERNISM... EXPLORING THE DIVISIONS BETWEEN MEDIA AND GENRES

Schapiro

• The First Theater, 1979
• Nightshade

Kozloff

• Suburban Train Station, 1985
• Installation (Longing/Mad Russian Blanket)

Ringgold

• Flag Story Quilt, 1985
• Change #3: Faith RinggoldÕs 100 pound weight loss Story Quilt, 1991
• The French Collection: Dancing at the Louvre, 1991
• The French Collection #7, PicassoÕs Studio, 1991

Dale Chihuly (misc. glass examples)

Stella

• "Gabin" relief prototype (cardboard)
• Shoubeegi Indian Birds, 1978
• Eastern Rand, 1982
• Gobba Zoppa e Collotorto, 1985

Murray

• Back to Earth, 1981
• More than you know, 1983
• Making it Up, 1986

Finster

• Us Poor Rabbits, 1981
• U.F.O. Factory, 1978
• Some of the Most Beautiful Flowers, ca. 1977
• Paradise Garden

Kruger

• Untitled, 1981
• Untitled, 1983
• Untitled, 1983 (Captive Audience)
• Untitled, 1982
• Untitled, 1987
• Untitled, 1987
• Untitled, 1987 (Are We Having Fun Yet?)
• Untitled, 1989
• Untitled (Your Body is a Battleground)

Haring

• Untitled, 1981
• Drawing on an Exhibition Catalog, 1982
• Untitled, 1982
• Untitled, 1982
• Untitled, 1983
• Bill T. Jones, 1983
• A Pile of Crowns for Jean-Michel Basquiat, 1988
• Untitled, 1988
• Apocalypse, 1988
• Untitled (For James Ensor), 1989
• Unfinished Painting, 1989
• Silence = Death, 1989

Basquiat

• Back of the Neck, 1983
• Max Roach, 1984
• Tobacco, 1984
• Loin
• Pharnyx, 1985
• Freddie, 1984
• Tenor, 1985
• Untitled, 1984 (with Warhol)

Koons

• Silver Shoes, 1990
• Made in Heaven (install, including Dirty-Jeff on Top), 1991
• Ilona on Top (Rosa)
• Blow Job, 1991
• Couch, 1991

Pierre et Gilles

• Les Deux Poupees, 1985
• Jean-Paul Gaultier, 1990
• Dee Lite, 1990
• Medusa, 1990
• Adonis, 1992
• Le Petit Jardinier, 1993
• Sainte Marie Mac Killop, 1995
• Midnight Cowboy, 1995
• Joyeux Noël, 1996
• Drag Queens' Fantasy, 1995 (Amelia Airhead, Bettina Bod, Marsha Mellow, Sass Barella, Pencil Vania and others)

POSTMODERNISM - NEW MEDIA CATEGORIES

HAPPENINGS

• Kaprow
• Household. [n.i.b.]

PERFORMANCE to VIDEO INSTALLATION\

Klein

• Anthropometries de l'epoque bleue, 1960. [F, 225]
• Leap into the Void, 1960 [F, 227]

Gilbert and George

• Singing Sculptures. [L, p. 275]

Ha Schult

• The Crash, June 23, 1977. [n.i.b.]

Beuys

• performance example How to Explain pictures to a Dead Hare, 1965 (one-time "Fluxus" member)
• sculpture exs - Virgin, 1952
• The Crucifixion, 1962-63
• Chair with Fat, 1964
• Infiltration, 1966
• Felt Suit, 1970
• Back Support, 1970-72)
• installation example - The Pack, 1969. [H, p. 405] (see L, p. 316)

Orlan

• seventh operation... 1993. [L, p. 378]

Rebecca Horn

• Body Art. [n.i.b.]

Carolee Schneeman

• Interior Scroll, 1975.

Paik - "Fluxus" member

• T.V. Bra for Living Sculpture, 1969. [F, p. 347] (see L, p. 326)
• video installation - T.V. Buddha, ca. 1970.
• Captain Ahab, ca. 1970.
• Global Encounter, 1994)

Yoko Ono

• Venedig, 1990 ("Fluxus")

Jenny Holzer

• Selections from "Truisms," (lightboard installations)

ASSEMBLAGE

Arman

• Large Bourgeois Refuse, 1960. [F, p. 228]
• Village of the Damned, 1962. [n.i.b.]
• Long Term Parking, 1975-1982. [n.i.b.]

Sterbak,

• Flesh Dress for an Albino Anorexic (several versions, fresh and "cured")

Saint-Phalle

• Rote Hexe, 1962-1963. [n.i.b.]
• Venus de Milo
• Black Venus, 1967
• She, (installation)
• Various Amusement/Garden works
• Fountain for the Place Stravinsky (with Tinguely--kinetic)

KINETIC SCULPTURE

Tinguely

• Dissecting Machine. [n.i.b.]
• Fragment from Homage to New York, 1960. [L, p. 280]

SUPERREALIST SCULPTURE

de Andrea (to be announced)

Hanson

• Derelict Woman, 1973
• Shoppers, 1976

INSTALLATION

Kabakov

• The Man Who Flew into Space from his Own Apartment, 1981-88. [F, p. 420]

Messager

• The Pikes

Pfaff

• Dragon, 1981

EARTH WORKS VS. SITE WORKS (vs. the "ENVIRONMENT")

Christo

• Wrapped Cans & Bottles, 1958-60
• Package on a Wheelbarrow, 1963. [F, 351]
• Valley Curtain, Colorado, 1970-72
• Running Fence, 1972-76. [F, p. 352]
• Wrapped Monument to Vittorio Emmanuelle, Milan, 1970
• Pont Neuf Wrapped, 1975-1985. [F, p. 352] (see L, p. 286)
  
• Surrounded Islands, 1980-1983. [F, p. 358]
• Umbrellas, 1984-1991. [F, p. 359]
  

Smithson

• Spiral Jetty, 1970
• Sandstone with Mirror, 1969
• Chalk Mirror Displacement, 1969/87

Goldsworthy

• Ice Arch, 1982
• Broken Icicle Reconstructed, 1986
• Carved Snow, 1987
• "Touching North"
• Lay down when raining or Snowing
• Iris Blades/Rowan Berries, 1987
• Continous Grass Stalk, 1983
• Slate Arch, 1982
• Dug Trench edged with Clay, Supported by Sticks, 1987
• Sycamore Leaves stitched together with Stalks and hung from tree, 1986

Mojsilov

• Crying Oak, 1989
• Catch of the Day, 1993

de Maria

• Lightning Field

BRINGING THE MUSEUM OUT OF DOORS

Botero

• Statue Exhibition on the Champs-Elysees, 1993. (Bird, Horse, Adam & Eve)

POSTMODERNISM IN VARIOUS MEDIA

• Slides TBA